326 Royalty-Free Audio Tracks for "Processed Recording"

Standing in line at the checkout, neighborhood supermarket, chicago, 7/17/16 at 6:25pm. Occasional voices, clatter of shopping carts and baskets being stacked, sounds of groceries being loaded onto the conveyor, beeping of registers. Recorded with two countryman emw lavaliers in a head-mounted binaural arrangement, into a tascam dr-40 recorder. Processed to remove excessive bass rumble and compensate for eq curve of lavaliers.

6-minute clip of a thunderstorm with sweeping rainfall in the grass and trees of my back yard in northern colorado. Sounds of annoyed crows and grackles can be heard periodically in the distance, and the ambient sound of water through the gutters and downspouts is also prevalent. Recorded with a tascam dr-60d and two behringer xm1800s dynamic mics. Post processed with amplification and mid eq boost in audacity.

Sounds of the "porto mirabello" from la spezia. You will hear sounds of boats tied up in the harbour; sounds of water clashing with the platform; sounds of people chatting; far away you can hear also boats navigate into the port. It was recorded with a zoom h1n (96khz /24bit). Recorded in a sunny, calm-windy afternoon. The sound was no post-processed.

A steady rain falls silently through the still december night air, then splatters all over the tile and cement surfaces of a back yard, splashing in standing water. A hint of space from brick/stucco fencing and house bounding all sides. Akg perception 400 large diaphragm mid-side stereo pair in omni+fig8 mode > sound devices mixpre-6 @ 24/96. See also: musical dsp processed version of above:https://soundcloud. Com/chromakei/watercolor.

The churning white water of a rushing river cut into a perfectly seemless loop. Recorded on location during a video shoot using in camera microphone and then later processed in my daw. Proof i haven't forgotten you guys after all this time. Thanks again. I hope to have more stuff for you in the future. Enjoy.

Sound recording of a two tier mini waterfall into my small fish pond. Recorded with a tascam dr-07 mk ii. 24 bit, 44. 1 khz, stereo. First 10 seconds is the raw recording. Note the 60 hz hum due to the water pump being just under the water fall splash area. The last 20 seconds is the processed audio using ableton live 8 affects rack and the following affects. 1. Notch filter – 60 hz applied two times. 2. Lp filter –knee at 1 khz3. Hp filter-knee at about 3. 2 khz4. Granular delay – bubbling sound5. Chorus audio effect-snap, crackly sound. 6. Reverb-cave echo affect-high wet/dry7. Utility- for stereo width.

A sinister female laugh, overlayed with guttural, inhuman laughter, and the faint sounds of a woman crying. This version has a slight stereo effect. A recording of my voice, heavily processed in audacity, combined with the following sounds from freesound:"evil laugh_claire johnstone. Wav" by trijohnstone ( https://freesound. Org/people/trijohnstone/sounds/558229/ ) licensed under cc0"womancrying. Wav", by rebekahday ( https://freesound. Org/people/rebekahday/sounds/171946/ ) licensed under cc0.

Recorded myself cutting up, tearing and squishing a watermelon, resulting sounds processed only with a slight low-cut and normalization. Recording quality was not as great as i would have hoped although there should still be something useful here, i learnt 2 valuable lessons though:. 1. Watermelon juice and microphones are best kept separated. 2. Sounds travels quite well through kitchen worktops so don't put the mic flat on it!.

Recording of a day of the dead celebration at the museum of native american history in washington, d. C. (2014) features drumming, flute playing, chanting, yelling / whooping, whip crack sounds. Drenched in natural reverb (recorded from top floor of a circular performance space with a stone ceiling), with lots of low-frequency rumble. Possible use: could be processed for horror ambience.

This was recorded inside the blue mosque in istanbul during friday prayer in may 2005. To get in to the blue mosque with recording equipment we had to get a permission from the religious authorities. We also needed a muslim to operate the equipment since the friday prayers were forbidden for non-muslims. We set up the recording equipment and let our turkish guide hit the record button once the prayer started. The sound is recorded using an m/s rig straight to dat and processed afterwards with a hp filter in protools to remove microphone rumble. Recorded by asbjørn blokkum flø, kjetil bjørgan and the anonymous guide.

This is only a recording of me playing a djembe, recorded with a pair of nt1-a mics, but after messing around with some of logic's amp and resonator effects i ended up with this. The 6/8 groove reminded me of the doctor-who theme, and the interval displacement of a minor 6th i thought sounded pretty cool. You don't have to credit me, but if you use my sound i'd love to hear what you come up with!.

Sounds recorded directely from a boat stopped in front the beautiful baia blu (la spezia, italy). You can hear the waves clashing with the boat, the sounds of the sea, the people in the distance laugh and play, and a dip from the boat to the sea. It was recorded with a zoom h1n (96khz /24bit). Recorded in a sunny, calm-windy afternoon. The sound was no post-processed.

Recording is a 24 bit stereo wav file. Literally using a "motivational speaker" tape found in a box (full of several more of these god awful things!) while digging through the neighborhood trash to test out and setup a pitch-shifted vocal patch for my noisecore project. Effects used: danelectro fish & chips eq, korg ax3g multi-effect, and alesis nanoverb direct to sound card. Processed in goldwave(compression to reduce peaks and fading on the beginning/end. ).

Crickets recorded at night, in my garden, in summer. Recorded with a tascam dr-05. The sound was post-processed with audacity to remove the background noise (it was a stormy weather). If you want the raw sound without post-process, find "crickets at night - raw sound". I recorded this sound intended to use it in the video game i'm currently developing : the elven decline.

This clip was recorded in august 2021 during the evening in a platform near the beach in le grazie, la spezia, italy. You can hear the sounds of the waves clashing with the platform, the people walking around, cicadas in the distance and also the sound of the boats navigating into the port. It was recorded with a zoom h1n (96khz /24bit). The sound was no post-processed.

Phonograph cylinder recording from Filaret Kolessa collection. This file contains the raw (unprocessed) signal from the cylinder no. 58, played at rate of 90 rpm, and is provided for research purposes. To hear the corresponding processed recording, please open File:Hnat Honcharenko - Nema v sviti pravdy 1.flac and File:Hnat Honcharenko - Nema v sviti pravdy 2.flac. Українська: Фонографічний запис із колекції Філарета Колесси. Цей файл містить «сирий» (необроблений) сигнал фоновалика № 58, відтворений на швидкості 90 обертів на хвилину. Цей файл збережено для дослідницьких цілей. Щоб послухати опрацьований запис, будь ласка відкрийте: File:Hnat Honcharenko - Nema v sviti pravdy 1.flac та File:Hnat Honcharenko - Nema v sviti pravdy 2.flac.

Field-recording of the creek found in old ellicot city, md. The creek is located in a suburban town, and is surrounded by a man-made rock moat about a story below street level. Recorded using a sony pcm-m10 at 24bit, 96k. The sound has been gently processed!!- hpf (6db slope) to remove rumble- compressor (ni supercharger gtx) with a minimal 1db gain reduction in m/s mode and a bit of warmth added. - ozone 5 for a little m/s eq to alleviate some of the watery pops on the sides and a little stereo widening to compensate for the pcm-m10's built in omni mics.

Note: the high-pitched squeaks are artifacts from freesound's preview and aren't present in the actual recording. 10 minutes of a thunderstorm, recorded september 7th, 2019 from my apartment window in seattle. This is the raw recording straight from my zoom h5. Levels were kept low to minimize the chance of clipping. A few thunder sounds were still too loud, but luckily the h5 has a backup function that recorded an identical track 12 db quieter. I've uploaded that as well, so you can splice the two together to taste. Eventually i'll release a processed version with the two combined, plus compression and eq, but i wanted to upload the source material in case you'd prefer to diy it.

Lyrebird is a ground dwelling bird that lives in the australian bush and is very clever at mimicking sounds. This particular bird happens to sound like a science fiction movie! i removed much of the background noise, and lightly processed it with a phase effect. At the end i pitched certain sounds down for a more alien, dinosaur sound. The original sound was recorded on a smart phone.

5 individual sounds created for a cyclops monster in a project that was cancelled before any real sound design could begin. This sound was created by recording various vocal noises and importing them into pro tools. Each vocal take was then pitch shifted down by -24 semitones and duplicated into 4-5 layers. These layers were processed individually using techniques such as reverse reverb, distortion and eq to emphasise different aspects of the creature's roar. The final sound is a result of all these layers playing simultaneously.

(edit of other recording, with eq, reverb etc. ) recorded inside of an abandoned building next to a boarded-up, old wooden exit door. Has a nice, subtle low hum, which is actually from a plane flying overhead. Also contains knocking sounds, which is most likely the door being a bit loose. Would be awesome for horror atmospheres. Feel free to use this sound for what ever you wish to. Credit is appreciated but not needed. Let me know what you use this sound for!.

In this sample you hear a recording from inside a well sound insulated room, directly under the roof of a house. Strong rain hints the roof and produces low frequency muted sounds. In the background you hear the constant noise of the rain, coming through the window. There are also a few raindrops hitting the glass of the window. The sample was recorded using the built-in stereo microphone of a zoom h4n recorder. It was slightly processed to remove unwanted low and high frequencies which were not related to the actual recording. If you use this sound, please add a comment or send a private message what you created using it. :-).

In broekhuizen, near arcen, lies the old ferry named grubbenvorst, dying on the river maas. It has been replaced by a newer one. The old one lies rotting away some hundred metres away from its old trajectory. It was very windy that day and the carcass of the ship was mildly rocking back and forth resulting in this beautiful creaking. The occasional thud is the boat hitting the construction it is lying in. This recording was made with a zoom h2n on 4 channel mode. It was then further edited and processed using reaper. It was recorded on april 3rd 2018. The zoom was protected by a rycote windshield and my own cap as an extra windbreaker.

Standing on the east side of michigan avenue near ontario street, chicago, 7/16/16 at 10:07pm. Lots of passing traffic, squealing brakes, distant voices, distant sirens. A busker in the middle distance is playing his recognizable clarinet licks. Around 3:14 a group of motorcycle riders pass revving their engines. Edited to remove potentially copyright infringing music (captured playing out of passing cars and motorbikes). Recorded with two countryman emw lavaliers in a head-mounted binaural arrangement, into a tascam dr-40 recorder. Processed to remove excessive bass rumble and compensate for eq curve of lavaliers.

Rain in the evening in a calm suburb area. Taken from a window. Drops fall on a concrete and window-sill too. Window is on a ground floor. Taken by a special app recording to wav 44khz 16 bit mono wav file on a samsung s8500 wave with a special app that can record to looseless. The phone was put directly to the window pointing the mic outside the window. This is my first try to share some sound, hope you like it. I have 2 more and better rain sounds to come. There is no other sound than the rain itself. The files hasent been post-processed.

This was recorded as foley for a sound design / composition contract i took for a theatre company. We needed a train sound to signify crates of dead soldiers being shipped back from the front lines, to be processed and fed to soldiers holding encampants behind the lines. It was recorded in an arcade adjoining outbuildings of a factory converted to studio and office spaces. I excused myself from rehearsal to catch the recording shortly after learning a woman i'd been seeing for about a year was through with our relationship. I won an award in composition and sound design for the work i did for the play.

A section of the recording at https://freesound. Org/people/nlux/sounds/620955/ re-purposed for use in the makenoise morphagene eurorack synthesizer module. A high-pitched, metal windchime, sent through some granular processing software. The reel is divided into two, long halves: one with the sound playing forwards and one with it playing in reverse. This means i can easily switch from forward to reverse without tuning issues, simply by applying cv to the morphagene's 'slide' control.

This sound sample is part of the free collective soundbank "negative mass", which is comprised of around 60 royalty free samples and field recordings used by some of the artists featured in the "new chronologies of sound" collection to compose their sound works. "new chronologies of sound" is a sound art collection that proposes to generate debate on issues related to the ways in which lockdown affected our ways of listening, perception of time and work habits, by developing a collection of sound works based on field recordings, which reflect upon those matters. This artistic research project gathers artists and researchers from all over the globe — agf (de), budhaditya chattopadhyay (in), bj nilsen (se), diana combo (pt), gustavo costa (pt), hugo branco (pt), kyoka (jp), laura romero (es), lawrence english (es), matthew herbert (uk), miguel isaza (co) and natalia valencia zuluaga (co)— encompassing a broad diversity of aesthetics, geographies, processual latitudes and conceptual attitudes, which range from pure field recordings and processed soundscapes down to more musical or compositional uses of found sounds. + info: https://lifeisavicnic. Com/vn003.

Damaged smartphone screen protector being broken and crushed in bare hands (should've used gloves. . . ). Recorded with behringer b-1 microphone into focusrite scarlett 2i2 3rd gen. Into audacity on arch linux at 192 khz/24 bit. The recording was not processed or edited in any way to retain maximum flexibility to sound artists who will use this as an element. This can be useful as a sound effect for freezing or burning or deep-frying or even rain (when slowed down). Thanks to extremely wide frequency range the recording can be cleanly slowed down up to 25% speed. There's clean frequency content up to 80 khz in the recording. In a few places the mic gain was too much and a pop is clipped, but could still be useful for sound of braking or snapping something (bone?). No denoising was applied - perform your own if needed, though the sounds are mostly free of background hum (a bit of pc noise can be heard in the first minute before i turned down the gain).

I needed a rattle-snake sound for a tracklay so recorded myself shaking my salt and pepper grinders. Considering i recorded this on a stereo mic in the bedroom of my two-bed flat, i think it came out pretty well!. This is the processed version, which has been through noise reduction and high-pass filtering (soft cut off begins somewhere around 200hz). I believe that this has drastically improved the raw recording, but if you would like to use the original and process it yourself, feel free to send me a message and i will upload it. Recorded using my zoom h1 at 48k/32-bit (because i didn't realise it wasn't set to 96k. . . Whoops!).

The beautiful sounds of office life. This is audible interference from a cheap ballast in a florescent light fixture--or several in close proximity. (it's probably violating fcc regulations with rf output too. ) this was recorded with an iphone builtin mic, then processed to isolate the sound. It's a beeping / humming at around 3,800 hz. Each beep lasts about 1 second, followed by a half-second of silence before the next beep. Toward the end of this recording, it shifts slightly upward in pitch, to around 4,000 hz. Some typing on a keyboard can be heard in the foreground. (it's an office, after all. ).

This is a processed soundscape originating from two seperate soundscapes; one during a winter night near a hill and one at a basketball practice. The title of the piece originates from the fact that in this piece i try to create this feeling of coming in and out of “reality”, that illusion that sometimes we are watching distantly or from another reality with yet some other moments that we are being really in the moment. The whole feel of the piece sounds to me the most part dystopian, however anyone can have different interpretations of sounds just as we all have different perception and associate various sounds to different things.

In the spirit of the jam, as a thank you for the chance to be a part of such an awesome event and to meet new incredibly talented people, i decided to give away for free some samples of recording i did of electric current and some final sfx that were used in the game. I hope you find these useful!. This is a vo sfx created for the prometheus game jam of 2017 in the town of lavrio. It was used in "breach", the game my team and i made during the 48 hour competition, for a robotic enemy mini-boss. You can check out the game here: https://halisavakis. Itch. Io/breach.

I really enjoyed exetone studio's recording of a bell found here - https://freesound. Org/people/exotonestudio/sounds/416992/. I took this sample into melodyne and moved all of its frequencies into "c" range. This gets rid of harmonics and makes the sample well-suited to use as a musical instrument. I prefer the original sample for some purposes. Unprocessed, it has a richer sound. And i also truncated to get rid of a tricky bit i couldn't fix. And i combined stereo tracks into mono, since that works better for an instrument where one wants to control panning inside of a composition. So as a pure sound effect, i recommend the original. This version is just useful as an instrument.

Soundscape of a city street in chicago during winter. Sunday, january 31st 2016 at 6:05pm. Continual planes, trains, and cars passing. Occasional pedestrians. Cta "l" trains audible at the nearby thorndale red line stop. Mic: core sound tetramicrecorder: zoom f8. Converted to b format using vvtetravst, then processed to stereo as wide cardioids at + and - 45 degrees using ambisonics toolkit (atk). Light noise reduction applied using izotope rx 7 spectral de-noise. High pass filter applied to reduce low end rumble. Some editing done to remove wind buffeting. Please note that this is a 48k 24bit flac file - flac files can be easily read and converted by audacity [https://www. Audacityteam. Org/] and reaper [http://reaper. Fm/], among others.

This is a recording of a metal desk creaking with very little movement. I recorded this sound, amplified it, and removed the white noise. That's the only processing this sound has gone through. I'm sure this sound can be modified in many different ways and put to countless uses. Be sure to check out the variations of this sounds from the "creaking metal pack". Recorded with: shure sm57 dynamic microphone. Processed with: audacity. ------------------------------------------------------------------------------------please leave feedback by commenting below. I'd love to hear your thoughts about this sound and what you used it for. If you published your finished compilation to the web go ahead and include a link. If you have any questions or requests feel free to contact me. Thank you. ------------------------------------------------------------------------------------.

Just a quick recording before class today. Recorded from a tascam dr-07 mk ii stereo in mp3 192 kbps 48,000 hz, pointed a bit to the sky toward a florida mockingbird about 2 meters away. If you listen closely enough, there's some crows in the bg too. Ambiance sound is the sound of a busy divided highway about 500 meters away. I processed this sound in sony sound forge a bit to remove some of it. Just beware, the sound file contains a slight camera double beep at 9 and 15 seconds, although for student film purposes i don't see any penalty for it. There's also some slight wind noise in the beginning since my clean foot sock didn't cover all of it, but same mind set as above, won't be too big a deal. Here's a video. Http://www. Youtube. Com/watch?v=-wf7g5bfi2s.

Some glass that has been resampled and processed with distortion and flange. I use this for bass cuts in neurofunk music.

Sound exercise where we had to choose a location & an object in that specific location. I chose for the sculpture atelier in the academy of bellas artes. Sound source : a non-standard tuned höfner guitar & a lithium-ion battery powered 6 watt speakerwith a cute little aaa battery powered vox pre-amp. Put on a copper plate, live manipulated & processed / bent / tapped on / glided withwhat not /. . . A long metal tube. Natural feedback has been 1 of my favorite modi operandiinfluenced by entre autres my bloody valentine, sonic youthglenn branca & a lot of noise artists. . . Recording source : a f*+#!ng apple iphone ( for which itlasted 30 minutes to put it on an apple imac ?!!?? )i take a shot @ apple for a reason , my mbp during coronahas been seen imploding ! ( dikke poef !!! ) june 2020don’t buy apple, ask louis rossmann ( youtube ). This piece has been recorded in one big long take;until now whatsoever no edits have been madelet’s see if i can make this post-production wisemore ear-candy wise even better. . . The artist known as -̶j̶o̶z̶e̶f̶a̶l̶e̶k̶s̶a̶n̶d̶e̶r̶p̶e̶dr̶o̶-has been seen predicting on his bandcamphe “ll be integrating somehow thisfree improvisational piece into his avant-latest new track called‘ mars in-3 “. . . Bluff or a promise ???. Https://jozefaleksanderpedro. Bandcamp. Com/track/mars-in-3.

Hola !. So after all the dsp processing of the little voice recordingi tried out my little bbc symphonic orchestra new free libraryput some violins on it & some horns of abraxas, if youdon(t know horns of abraxas of johann johannssonn, i urge you to go& check it out, the whole movie is a candy for the ear & eye. . . S with titlesas seekers of the serpent's eye or burning church or dive-bomb blues ordeath and ashes or children of the new dawn or forging the beast. . . What a soundtrack & what a movie ! but also what a tragic loss. . . Https://www. Youtube. Com/watch?v=hgih-ma5nag. & then at the end i transform again the little percussive voice partinto a voice again. . . You can clearly see in the wave form of the big percussion & the little voice wave form, an isomorph pattern, no ?. 17decmber of 2020jjjjjj looper dooper. Yes !. Ok i go to sleep nou !.

I have mixed several field recordings, and processed them by bitcrushing, panning, amp modulating, filtering, and added reverberation.

Processed recordings of dragon a chair across a wooden floor.

2 areas of processed sounds and the original sound (raw).

Synthetic drum loop processed from recordings i made.

This sample is part of a set of processed and game ready recordings of a bundeswehr bag filled with different things and shaken at various intensities.

A perfect loop of some rhythm guitars i recorded on my iphone // warped and synced to 100bpm in the key of g major.

I'm attempting to create a controllable thunderstorm for a film, and this is my first legitimate attempt. This recording consists of 4 samples of rain, and another 3 samples of rain+thunder that i recorded one afternoon. Equipment used was the inbuilt mics on a roland r-26, and a sennheiser me66 into a sound devices 702. The clips were recorded at 96khz/24-bit, and they were processed at 48khz/24-bit. For processing, i put the samples into kyma, and crossfaded for texture. The howling wind sound is an analog-style low pass filter's frequency, level, and resonance being controlled by a wacom intuos4 pen/tablet. The rain slowly swells, which was done by changing parameters of a granular reverb. The thunder was also controlled by the wacom tablet, with x, y, and z (pressure) dimensions mapped to making the thunder swell in level, density, and texture. This could have been output in surround, but i don't have that many monitors ;). This style of "rain-synthesis" can also go on indefinitely. Please let me know what you think of the quality of this track; eg, if it sounds real, if the wind sounds ridiculous, too much thunder, etc. Use this sound (wherever) if you want to, or let me know if you'd like an mp3 of this, or for it to last longer. I'd like some credit if you do use it, but it's no big deal. A blog is up explaining the method of creation here:http://www. Kylehughesaudio. Com/2/post/2013/02/tempest. Html.

Impulse responses based on public domain recordings of historical events from around the world and from space. Some processed to stereo artificially. Gun shot in texas.

Processed sound effect created with civil war cannon field recordings captured at fort jackson in savannah, georgia in the spring of 2019, for savannah college of art & design.

Long sound effect of a seemingly massive explosion inside a large building. Created using many different recordings, processed in audacity.